Hommage à Marie-Hélène Breuil, samedi 25 juin 2016, Père-Lachaise

Décédée le 1er avril dernier, Marie-Hélène Breuil a été incinérée au cimetière du Père‑Lachaise le 9 avril dernier.
Une cérémonie de recueil devant la case dans laquelle seront placées ses cendres aura lieu samedi 25 juin à 15h.
Colombarium, galerie C de la 87ème division, case numéro 11129.
MHB Portrait @ David Kidman
MHB Portrait @ David Kidman

Le portrait filmé réalisé par David Kidman est accessible un via l’image ci-dessus qui fait office de QR code ou en activant le lien http://www.davidkidman.com/ether/etherloop

Obsolescence, materials and authenticity, Cécile Dazord and Marie-Hélène Breuil interviewed by Rosario Llamas Pacheco, feb 2014, revue Archè n. 8-10

Obsolescence, materials and authenticity. The opinion of Cécile Dazord and Marie-Hélène Breui.

Rosario Llamas Pacheco, Universidad Politécnica de Valencia,  rllamas@crbc.upv.es

portada_8

Arché, publicación del instituto universitario de restauración del patrimonio de la Universidad Politécnica de Valencia – núms. 8, 9 y 10 – 2013, 2014 y 2015

Se reporter au site de la revue →

Télécharger l’entretien au format PDF →

Abstract:
The French group INCCA met in Marseilles in February 2014. Through this meeting we had the opportunity to talk with Cecile Dazord and Marie-Hélène Breuil, organizers of the event. Both researchers are involved in the conservation of contemporary art for years. Thanks to its extensive experience we could think deeply about some of the most debated issues concerning the conservation of contemporary art.
Keywords:
obsolescence, authenticity, essence, contemporary art, restoration

Continuer la lecture de Obsolescence, materials and authenticity, Cécile Dazord and Marie-Hélène Breuil interviewed by Rosario Llamas Pacheco, feb 2014, revue Archè n. 8-10

IIC / INCCA Congress, Saving the now – cross boundaries to conserve contemporary works, Los Angeles,12-16 septembre 2016

Saving the Now : Crossing Boundaries to Conserve Contemporary Works
IIC (International institute for conservation of historic and artistic works) & INCCA (International network for the conservaiton of contemporary art)
Los Angeles, 12–16 September 2016, Millennium Biltmore Hotel

 

Chris Burden Urban Light, 2008 (Two-hundred and two) restored cast iron antique street lamps 320 1/2 x 686 1/2 x 704 1/2 in. (814.07 x 1743.71 x 1789.43 cm) Los Angeles County Museum of Art, The Gordon Family Foundation’s gift to “Transformation: The LACMA Campaign” (M.2007.147.1-.202) © Chris Burden
In collaboration with the International Network for the Conservation of Contemporary Art (INCCA)

Join IIC and INCCA members from around the world as we collaborate to explore the conservation of contemporary culture. Conservation of contemporary works of art presents a range of practical, theoretical and, indeed, philosophical challenges – it’s always new, always different, always stimulating. Those working in the conservation profession must approach these artworks in a different way, perhaps from the point of view of mechanical engineers or anthropologists or manufacturers of plastics, or …

Register here.

Continuer la lecture de IIC / INCCA Congress, Saving the now – cross boundaries to conserve contemporary works, Los Angeles,12-16 septembre 2016

ICOM-CC, INCCA, GCI, Museo ‘900, Keep it moving ? Conserving kinetic art, Milan 30 juin – 2 juillet 2016

Two-day conference on kinetic art and its preservation
Davide Boriani, Ambiente Stroboscopico, nº 4, 1967, Photo : Luca Carrà (2005)
Davide Boriani, Ambiente Stroboscopico, nº 4, 1967, Photo : Luca Carrà (2005

The Getty Conservation Institute, the Museo del Novecento and the Modern Materials and Contemporary Art (MMCA) working group of ICOM-CC, in partnership with INCCA are pleased to announce the conference Keep it Moving? Conserving kinetic art. Hosted at the Palazzo Reale by Museo Del Novecento, Milan, Italy.

This two-day conference will look back at the history of kinetic art and its preservation, take into consideration the artists’ point of view, and discuss the ethical dilemma and practical challenges of conserving and documenting kinetic works. It will include invited keynotes and paper submissions. The conference will serve as the interim meeting of MMCA and is also organized in partnership with the Museo del Novecento, the Getty Conservation Institute, and INCCA. It will take place at the Palazzo Reale in conjunction with the general ICOM CC meeting. A visit of the rich collection of kinetic works in the Museo del Novecento will be included; other cultural tours will also be offered. Continuer la lecture de ICOM-CC, INCCA, GCI, Museo ‘900, Keep it moving ? Conserving kinetic art, Milan 30 juin – 2 juillet 2016